RED President Jarred Land stated that "we are pleased that our RedCode patents stand another challenge," adding that RED is still working with Apple to get RedCode in its metal frame. "It's always been Apple + RED, and it's all been part of the process of determining how we work together in the future," he said.
To be clear, as I mentioned before, this was never Apple versus RED, it was always APPLE + RED, and it was part of the process that determines how we work together in the future. RED integration with Apple's METAL framework for real-time R3D playback is going well, and the work that the two teams do together exceeds expectations. We are very excited about the new Mac Pro and the new XDR pro display and the power they bring to the entire RED workflow.
RED successfully tackled a similar suit by Sony in 201
RedCode RAW is a video codec that allows you to capture RAW video in the same way that you can capture RAW images, Apple claims that the RED patent is heavily based on two other patents: One relates to the capture of RAW video. RAW lossless video at HD, 2K and 4K resolutions, the other is for processing technique, co it allows compression of data from RAW sensors. Apple claims that since the RED patent is a combination of two previous patents, its proprietary technology was "non-patentable."
RED declines in depth, stating that its work is unique to these patents and that it works on
While RAW photography is popular and common on smartphones, RAW videos are usually restricted for use by professional directors and video footage. This is mainly due to technical limitations with RAW, not because of the patent. For example, one minute of 4K RedCode video at 5: 1 compression takes up 5.26 GB, while one minute of MP4 video at typical 150 Mbps takes 1.13GB. This kind of bandwidth generates considerable heat, so RAW video isn't actually practical for smartphones or small cameras.
As such, this will not have a major impact on consumer devices, but may affect the development of RAW RAW on Apple ProRes. As it is now, companies making external RAW recorders like Atomos have acquired ProRes RAW licenses from RED and will probably have to continue to do so. In the meantime, Blackmagic Design has created its own RAW format that does not infringe RED patents.