'I do not have words': Boss of burned Japan studio mourns bright, young staff
KYOTO, Japan (Reuters) – Many victims of an arson attack on a Japanese animation studio were young with bright futures, some joining only in April, the shaken company president said on Saturday, as the death toll climbed to 34.  People are praying for the victims of the torched Kyoto Animation building in Kyoto, Japan, July 20, 2019. REUTERS / Kim Kyung-Hoon
Thursday's attack on Kyoto Animation, well known for his television series and movies, was Japan's worst mass killing in two decades. It was all the more poignant because of the youth of the victims in a country where the population is among the world's oldest.
Many of the victims of the attack, in the ancient capital of Kyoto, were young women, company chairman Hideaki Hatta said.
"Some of them joined us just in April. And on the eighth of July, I gave them a small but their first bonus, "he said.
"People who have a promising future have lost their lives. I do not know what to say. Rather than feeling anger, I just do not have words, "Hatta said.
Fifteen of the victims were in their 20s and 1
1 were in their 30s, public broadcaster NHK said. Six were in their 40s and one was at least 60. The age of the latest victim, a man who died in hospital, was not known. The names of the victims have not been disclosed.
The studio had about 160 employees with a mean age of 33.
Police have confirmed the identity of the suspect as Shinji Aoba, but have declined to comment further.
Aoba lives in a modest, two-floor apartment building 500 km (310 miles) from Kyoto in a rural suburb just outside Omiya, and commuter hub north of Tokyo.
A 27-year-old neighbor said Aoba had once grabbed him and yelled at him over a noise dispute.
"He started yelling at me to my face to shut up. He grabbed me by the collar and started pulling my hair. It was terrifying, "the neighbor, who declined to be identified, said.
Aoba was convicted of robbery in the past and is suspected of carrying out the arson attack because he believed his novel had been plagiarized, Japanese media said.
But Hatta, the company's president, said he had no idea of any plagiarism claim, adding that he had not seen any correspondence from the suspect.
People living near the studio said they saw a man fitting Aoba's description in a nearby park the day before the attack. Police suspect he may have spent a day or more in the area to prepare.
Resident Rie Bannai said her nephew saw the man sleeping on a bench in the park.
Police have not formally arrested Aoba, as he is being treated for heavy burns, NHK said, but have taken the unusual step of releasing his name.
Rui Yamaguchi, who works in a factory nearby, said he saw the suspect when he was detained.
"He looked like a mannequin with no hair and blackened. One of his pants legs had gone around his calf. It looked like it had burnt off, "he said.
'BEAUTIFUL AND WARM'
Near the blackened studio building, where the smell of burning wood lingered over the neighborhood, animation fans gathered to add to a growing pile of flowers, drinks and other offerings.
Bing Xie, 25, and a Chinese student at Kyoto University, said she could not forgive the arsonist.
"The criminal who seems to have been mentally disturbed, but I can not forgive him. The young people at Kyoto Animation were beautiful and warm and it is hard to accept they are gone. "
The police guarded the site as investigators, some on the roof near where many died in a connecting stairwell, examined the blackened building.
Hatta said the building needed to be torn down because it was so badly damaged.
Tributes to the victims lit up social media, with world leaders and Apple Inc.'s AAPL.O ) chief executive offering condolences. The hashtag #PrayforKyoAni, as the studio is known among fans, has become popular.
Kyoto Animation produces popular "anime" series such as "Sound! Euphonium ". It is also known for "Violet Evergarden", which has been shown on Netflix.
Reporting by Tim Kelly and Sam Nussay, additional reporting by Naomi Tajitsu in Saitama; Writing by David Dolan and Hideyuki Sano; Editing by Nick Macfie
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