For a while it Sony’s high-end digital cameras seemed to be colliding with its Alpha mirrorless cameras as these shooters became more capable of capturing video. The inevitable was confirmed today: Sony has officially unveiled its FX3 with features from both the company’s digital cinema and alpha lines, giving creators a more accessible way to capture Hollywood-caliber content.
Image of FX3 expired in a few weeks previously led to speculation that Sony’s compact cinema tool would be able to capture video at 8K resolutions, but the full-format, backlit CMOS sensor Exmor R CMOS that the camera uses is limited to resolutions up to 4K or 16: 9 QFHD at up to 120 frames per second. Although even with a cooling fan and a vent design that promotes natural heat dissipation, The FX3 can only record continuously at 4K, 60P. Shooting at a higher frame rate is limited so that the camera does not overheat. The 8K skip is a choice made by Sony to keep the price of the FX3 or ensure it doesn’t compete with the company’s more expensive ones. digital film cameras-or both.
When shooting a video, The ISO settings of the FX3 can be pushed to the impressive 409,600, which can be useful the next time you find yourself shooting on the dark side of the moon and can’t see the sun. tThe 627-point camera’s autofocus system includes features such as AF Transition Speed, which ensures that automatic focus changes are made smoothly so as not to irritate audiences, and Touch Tracking, which allows operators simply touch an object on the FX3’s touch screen to tell the camera what to keep focused in the frame, even when the subject is moving around.
With battery and memory cards installed (dual CFexpress Type A and SDXC cards are also supported), The FX3 weighs just 1.58 pounds and includes a handle mounted on a hot shoe, which facilitates holding, operating and maneuvering the camera at low angles. Maintaining a stable lightweight camera during handheld shooting is a real challenge, so the FX3 uses five-axis body image stabilization for smooth videos, even when shooting with a lens without its own stabilization. The applied stabilization is also captured as metadata during shooting, which allows it to be changed during post-production.
Most directors will want to keep the optional grip as he not only offers quick access to several controls, including ISO, iris, white balance and zoom, it also has 15 custom buttons that can be programmed as shortcuts to 140 different functions, usually buried in a software menu. The grip is also there a microphone stand, a pair of balanced XLR / TRS audio inputs, and a 3.5mm stereo dual-channel jack, while the camera can capture four-channel 24-bit sound when multiple microphones are attached.
The FX3 will be officially available sometime in March for around $ 3,900. This is not a pocket change, but it is also $ 2600 cheaper than the new one $ 6500 Sony Alpha 1,, which many people will see as their next video shooter. However, this is $ 1400 more expensive than the recently announced $ 2500 Blackmagic Design BMPCC 6K Pro,, which offers 6K shooting and an HDR rear display, although 120 fps high-speed recording is limited to 2K. But for video creators who already have a bag full of Sony E-mount lenses or already have a workflow that includes Sony’s higher-end digital cameras, the FX3 sounds like an easy choice.