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Yalitsa Aparisio's success reveals anti-continental fanaticism in Mexico



On February 24, 2019, at the Oscars ceremony, the name of Yalitsa Aparisio will be read along with four others as candidates for best actress. Like Oaxacan on the legacy of Mixtec and Triqui, Aparicio will join Keisha Castle-Hughes as the only local woman nominated for a Best Leading Actress Award. After participating in Alfonso Kouaron's Roma, she appeared on the glossy pages of Vanity Fair and W Magazine and on the cover of Vogue México . Her journey was not perfect, but against the backdrop of the insulting comment that overshadows her success, Aparisio remains graceful and focused on the potential of her visibility.

Representation assessments often turn into counting tactics (how many women and people in color are included) or binaries of positive or negative performance (whether the character is sufficiently decent or violates enough stereotypes?) For some of Aparisio's personal achievements and the rise to world recognition have already broken down barriers. For others, her performance is insufficiently challenging stereotypes, because she is only a "faithful servant," or fails to become a full person. Among the critics, the quality of Apparissio's performance is glorified, but how do we approach the thriving success and visibility of the newcomer?

On Sunday, many of us would love to see Aparicio on the screen just as we shared in her joyous nominees. Children from the indigenous population, unlike young Aparisio, may feel encouraged by seeing the actress on a global scene rather than disappointed by the worlds seen on the screen. As part of Apparissio's great breakthrough and subsequent praise, we can also take this opening to criticize a system that restricts the capabilities of indigenous groups and other people in color at all stages of the filmmaking process, and uses exclusivity as Since the Rome's Rome noise began its journey, the inconvenience of those who consider Apparissio as an intruder or in other reductive (and offensive) terms is almost as central to news, call Rise of th young actress Oashakan. Not everyone has supported, and the approval of Aparisio has attracted its share of malice. When in November 201

8 Aparisio decorated the pages of the vanity fair racist and classical reactions polluted the holiday.

Netflix 2019 Golden Globes After Party on January 6, 2019 in Los Angeles, California. Then, in February, it was plausibly documented that a group conversation made up of Mexican actresses aimed to lobby the AMACC to exclude Aparicio from the Ariel Awards, the equivalent of the Oscars. According to the documentary Maria Jose Quevas the conspiracy talk was fueled by arguments that Apparissio is not a "real" actress. The incident was soon followed by refusals of the accused to participate in the communications, and clarifications from AMACC that they had not received a request to exclude Aparicio from the competition, nor would such a request affect the Ariel election process.

Less than a month after Oscar nominations were announced, the viral video showed teenager Sergio Gorey, who ignores Aparisio in a discussion about whether she deserves a nod from the Academy. Goey, apparently unconscious of being recorded, revealed anti-local insults and diminished Aparisio's performance as an extraordinary servant. In his excuse the following day, Goey says he did not want to say what he said, but that he came up against a heated argument.

The casual stream of social media or the Kabbalah of the actresses organizing against Apparissio may not have been designed for public attacks. , but they reveal something more treacherous: the mummies that thrive behind closed doors.

Aparisio, for her part, is unwavering, expressing her pride that she is "a native woman from Oasakan." She knows she is moving against a wave of stereotypes and skewed opportunities, but Aparicio fights society's expectations for longer than the past few months. Before it was a starring film star, Aparisio had to fight to be considered more than her gender, her skin tone, her economic class, and more than a servant. Why are they so determined to keep Aparisio in its place?

pic.twitter.com/YrLLkKVrSy

– (@Andalalucha) 21 February, 2019

As we celebrate with and about Aparicio, by Alfonso Cuaron, a white Mexican director. Her current celebrity means she's wanted to cover magazine magazines, but not in the way she actually looks, as seen in photo portraits where she appears with significantly relieved skin. The praise and recognition that Apparissio has received, though deservedly, is not equal to a change in the system itself, which makes its nomination a miracle: the distribution of roles and who writes them, casting politics, demographics of gaffers, perceptions and producers, and how everything is being funded. This is victory under the rules of someone else.

Still, on the Oscars, I will be rooted for Yalitsa Aparisio. I will fight against those like Sergio Gori, those who try to exclude Aparisio and people like her, and Internet commentators who can not see a woman in a space that she has judged beyond her reach. And I will be rooted in Hollywood's criticism and media racism, which does not end with prizes.

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